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ชมรมดับเบิ้ลเบสไทย
บริการวงดนตรีสำหรับงานวิวาห์และงานโอกาสต่างๆ
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ËéͧÍÑ´àÊÕ§ BM Recording Studio ËéͧºÑ¹·Ö¡àÊÕ§¤Ø³ÀÒ¾´Õ
 

äÇâÍÅÔ¹ÍÔµÒàÅÕ¹â´Â Dario II Vettori ·Ã§ Guarneri Del Gesu
ÂÕèËéÍ: Dario II Vettori ÃËÑÊ: VN5204

äÇâÍÅÔ¹ÍÔµÒàÅÕ¹·Ã§ Guarneri Del Gesu "Il Cannone" 1743 â´Â Dario II Vettori Firenze 2012

Top: Italian Spruce
Back & Side: Bosnia Maple slab cut
Formula Stefanini Varnish

Dario Vettori II was born in Fiesole in 1979. He is the eldest son of Paolo and the grandson of Dario known as “il liutaio della montagna”. His interest in the world of music started at a very early age, studying cello at the Cherubini Conservatory in Florence. He also attended the faculty of Literature, devoting himself to the study of Art History.
At the age of eighteen he decided to dedicate himself full-time to violin making, entering his father’s workshop and enrolling with the ALI Professionisti in 2001. He had the chance to meet several well known violin makers and to spend a considerable amount of time in the United States, working in violin-making workshops, such as Christophe Landon in New York, in Washington DC, Texas and taking Varnish and Acustic Masterclasses in Oberlin (Ohio). This gave him the opportunity to learn restoration techniques and to admire original old instruments.
For the construction of his instruments he uses the moulds and models from his family’s workshop, most of them originally belonging to Carlo Bisiach’s collection, once owned by Igino Sderci. The wide variety of models employed in the Vettori’s workshop is consisting of Guarneri “del Ges?”, Pietro Guarneri da Mantova, Stradivari, Carlo Bergonzi, Camillo Camilli, Balestrieri, Nicol? Gagliano, Francesco Mantegazza, Domenico Montagna, Giuseppe Guarneri “filius Andreae” and many others.
Dario mainly uses ?local and Bosnian maple (some of which were left by his grandfather), Italian poplar, willow, cherry and pear wood as well as the traditional violin-making spruce from Val di Fiemme. He occasionally succeeds in finding old wood, which, according to analyses carried out at the University of Tuscia in Viterbo, comes from trees dating back to the 17th century.
The whole family took to researching old varnish formulas, mostly found in their grandfather Dario’s old manuscripts, which has allowed them to reach a quality that can be appreciated on each instrument of the family’s.

At the moment, Dario is working in the family workshop in Via della Dogana together with his father Paolo, his sister Sofia and his brother Lapo, though everyone signs their instruments with their own label.
Still today the family preserves its own tradition started by "Grandfather Dario" in 1935.
In 2015 they will celebrate 80 years of violin-making tradition.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%


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